{"id":40,"date":"2014-03-26T23:02:28","date_gmt":"2014-03-26T23:02:28","guid":{"rendered":"http:\/\/cedhi.sfu.ca\/marontate\/wordpress\/?page_id=40"},"modified":"2015-11-20T00:06:17","modified_gmt":"2015-11-20T00:06:17","slug":"publications","status":"publish","type":"page","link":"http:\/\/cedhi.sfu.ca\/marontate\/publications\/","title":{"rendered":"Publications"},"content":{"rendered":"<p>Dr. Jan Marontate has published extensively in English and French on topics including art makers, cultural and collective memory, digital technologies, and sociology of the arts.<\/p>\n<h2>Selected Works<\/h2>\n<h3>Works in Progress<\/h3>\n<ul>\n<li>Artists, Paintmakers, Conservators and Chemists: Technical Information-Sharing Networks and Innovations in 20<sup>th<\/sup>-century Painting Materials. Series in the History of Business and Technology (ed.\u00a0 Philip Scranton, Rutgers), John\u2019s Hopkins University Press.<\/li>\n<\/ul>\n<h3>Works Accepted for Publication<\/h3>\n<ul>\n<li>with co-authors Megan Robertson and Nathan Clarkson &#8220;Acoustic Communication in Mnemonic Narratives and Documentation of the Audible Past&#8221;, in Anna Lisa Tota (ed). International Handbook of Memory Studies, Routledge.<\/li>\n<\/ul>\n<h3>Refereed Articles, Book Chapters, and Theses<\/h3>\n<ul>\n<li>&#8220;Strategies for Studying Multiple Meanings in Conservation Research&#8221;,\u00a0 special issue edited by Isabelle Brajer on &#8220;Conservation: cultures and connections&#8221;. <i>CeROArt<\/i> <i>(Conservation, Exposition, Restauration d&#8217;objets d&#8217;art.)<\/i>[\u00a0|\u00a02013, on-line 30 octobre 2013.URL\u00a0: http:\/\/ceroart.revues.org\/3560.<\/li>\n<li>&#8220;War, Transatlantic Politics and the Origins of International Initiatives for the Conservation of Cultural Heritage&#8221;, Proceedings of the International Forum on Cultural Politics and Cultural Policies, VII International conference on Cultural Policy Research, Centre for the Study of Culture, Politics and Society (CECUPS), University of <i>Barcelona and International Sociological Association, <\/i>Barcelona,\u00a0 held on 9-12 July 2012. Published on-line November 6, 2012. http:\/\/www.iccpr2012.org\/proceedings\/index.php?option=com_docman&amp;task=search_result&amp;Itemid=43<\/li>\n<li>&#8220;La Nouvelle-\u00c9cosse : Client\u00e9lisme, militantisme et soutien provincial aux Arts et aux Cultures fondatrices&#8221; in Gattinger, M. and Saint-Pierre, Diane (ed.)Les politiques culturelles provinciales et territoriales du Canada. Origines, \u00e9volutions et mises en \u0153uvre. Qu\u00e9bec, Presses de Laval; Universit\u00e9 Laval. 2011 pp. 105-153.<\/li>\n<li>\u201cPublic or private? Sharing audio-visual documentation of the arts-in-action\u201d in Anna Lisa Tota (ed.) <i>Culture and the Making of Worlds. <\/i>Milan:<i> <\/i>U. Bocconi, 2011.<\/li>\n<li>with co-author Catherine Murray.\u00a0&#8220;Neoliberalism in Provincial Cultural Policy Narratives: Perspectives from Two Coasts.&#8221;\u00a0Canadian Journal of Communication, 25(2), 2010.<\/li>\n<li>\u201cControversies as Sites of Conflict and Collaboration:\u00a0 Insights from Sociology of the Arts\u201d, in Ann Denis and Devorah Kalekin-Fishman (ed<i>.) The New ISA Handbook of Contemporary Sociology: Conflict, Competition, Cooperation<\/i><i>.<\/i> Sage Publications.\u00a0 2009.<\/li>\n<li>\u201cAcademic Discourse in French\u201d, in Angela Chambers (ed.) <i>Oxford Text Archive<\/i>, 2009. University of Oxford Press.\u00a0 \u201cLes rapports d\u2019appartenance et l\u2019art contemporain en r\u00e9gion\u00a0p\u00e9riph\u00e9rique:\u00a0\u00a0 une r\u00e9flexion sur les strat\u00e9gies de diffusion en Nouvelle-\u00c9cosse).<\/li>\n<li>&#8220;La science au service de l\u2019art: la transformation des principes de pr\u00e9servation du patrimoine artistique au mus\u00e9e, 1930-2004&#8221;, in Florent Gaudez,\u00a0<i>Sociologie des arts, sociologie des sciences,<\/i>\u00a0Tome 11, Paris : Harmattan. 2007 pp. 223-239.<\/li>\n<li>\u201cTrans-disciplinary Communication and the Field of Contemporary Art Conservation: Questions of Mission and Constraint\u201d, Techne.\u00a0<i>Revue scientifique du service de la recherche et de la restauration des mus\u00e9es de France,<\/i>\u00a02006, No. 26, pp. 11-18.<\/li>\n<li>\u201cRethinking Permanence and Change in Contemporary Cultural Preservation Strategies\u201d, Journal of Arts Management,\u00a0<i>Law and Society,<\/i>\u00a0Winter 2005, 34(4): 285-306.<\/li>\n<li>\u00a0\u201cMuseums and the constitution of collective memory\u201d, in Mark Jacobs and Nancy Hanrahan (eds.) <i>The Blackwell Companion to the Sociology of Culture<\/i>. Blackwell Publishing: Somerset, 2005, pp 286-302.<i>\u00a0\u00a0 <\/i><\/li>\n<li>\u201cDigital Recording and the Reconfiguration of Music as Performance\u201d,\u00a0<i>American Behavioral Scientist,<\/i>\u00a0July 2005 48(11): 1422-1439.<\/li>\n<li>&#8220;Le v\u00e9cu inattendu comme d\u00e9fi au statut artistique de l\u2019\u0153uvre\u00a0:\u00a0 l\u2019art public non controvers\u00e9\u201d in Alain Pessin (ed) <i>Les non-publics.\u00a0 Les arts en r\u00e9ception(s)<\/i>. Paris\u00a0: L\u2019Harmattan, 2004, V. II, pp. 49-67.<\/li>\n<li>\u201cTechnical Standards and Institutionalization Processes in New Deal Art Projects\u201d.\u00a0<i>Journal of Arts Management, Law and Society.<\/i>\u00a0Winter 2004, Vol. 33, No. 4, pp. 281-298.<\/li>\n<li>\u201cDigital technologies and contemporary career strategies in Atlantic Canada: A case study of young musicians and audio technicians\u201d, Proceedings, Conference on New Media Research Networks, organized by Arts-Netlantic, University of Prince Edward Island, Charlottetown, March 26-27, 2004, pp. 76-82.<\/li>\n<li>\u00a0\u201cSociology of Art\u201d A. and J. Kuper (eds.) <i>Social Science Encyclopedia<\/i>, 3rd Edition. New York: Routledge, 2003, pp. 37-42.<\/li>\n<li>\u201cLes rapports d\u2019appartenance aux lieux de cr\u00e9ation et l\u2019art contemporain en r\u00e9gion p\u00e9riph\u00e9rique:le cas de la Nouvelle-\u00e9cosse (1992-2002)\u201d.\u00a0<i>Sociologie et Soci\u00e9t\u00e9s.<\/i>\u00a0Fall 2002, Vol. 34(1): 139-161.<\/li>\n<li>\u201cStudent Web Pages as Technologies of the Self \u201d in Proceedings of the Atlantic Universities\u2019 Teaching Showcase, Volume 5, 2001, pp. 57-68.<\/li>\n<li>\u201cSingularities and the Sociological Imagination: On Nathalie Heinich\u2019s Sociology of the Arts\u201d.<i> Boekmancahier (for Studies in Cultural Policy).<\/i>\u00a0June 2001, Vol. 13 (48): 210-229.<\/li>\n<li>\u201cR\u00e9seaux de cr\u00e9ation-m\u00e9diation loin de l\u2019oeil du public. Sur les collaborations techniques en arts plastiques\u201d,\u00a0<i>Revue de Sociologie de l\u2019art,<\/i>\u00a02001, Vol. 12: 67-89.<\/li>\n<li>&#8220;Les outils d&#8217;ailleurs et l&#8217;art de chez nous:\u00a0 trois plasticiens sur la circulation des savoirs techniques&#8221;, in Guy Bellavance (ed.) <i>Monde et r\u00e9seaux de l&#8217;art : Diffusion, migration et cosmopolitisme en art contemporain,<\/i> Montr\u00e9al: Liber, 2000, pp. 78-92.<\/li>\n<li>\u201cR\u00e9seaux de partage des savoirs techniques et pratiques artistiques: la conception et l\u2019appropriation de m\u00e9diums synth\u00e9tiques en Am\u00e9rique du nord (c. 1930-1998)\u201d,\u00a0<i>Techne. La science au service de la culture et des civilisations,<\/i>\u00a0no. 8, 1999, pp. 45-60, colour plate VIII.<\/li>\n<li>&#8220;L&#8217;anti-prix comme acte social: vers une esth\u00e9tique de la subversion&#8221; in Majastre, Jean-Olivier and Alain Pessin (ed.),\u00a0 <i>Du Canular dans l&#8217;art et la litt\u00e9rature.\u00a0 Quatri\u00e8mes rencontres internationales de sociologie de l&#8217;Art de Grenoble<\/i> in the series <i>Logiques Sociales<\/i>. Paris: L&#8217;Harmattan, 1999, pp.169-188.<\/li>\n<li>\u201cDe historische ontwikkeling van acrylverven\u201d. KM Magazin. October 1998. pp. 6-18.<\/li>\n<li>\u201cModern Art: Who Cares?\u201d,\u00a0<i>Boekmancahier (for Studies in Cultural Policy)<\/i>\u00a0Vol. 9, n. 34 December 1997, pp. 407-419.<\/li>\n<li>&#8220;Technical Innovation and Modernist Ideologies&#8221;,\u00a0 <i>Journal of Arts Management, Law and Society,<\/i>\u00a0 25:2, Summer 1995, pp. 93-109.<\/li>\n<li>&#8220;Materials and Meanings&#8221; <i>McKay-Lodge Conservation Report,<\/i>\u00a0 Issue 7, Fall 1994, pp 1-3, 16-17.<\/li>\n<li>&#8220;Territoire et souches :\u00a0 La place \u00e9tonnante des histoires invent\u00e9es dans la cartographie post-moderne&#8221;,\u00a0 <i>La revue Possibles,<\/i>\u00a0 16: 2, Spring 1992. pp. 90-97.<\/li>\n<\/ul>\n<h3>Refereed Edited Volumes<\/h3>\n<ul>\n<li>Guest editorship with co-editor Volker Kirchberg, thematic issue of\u00a0<i>Journal of Arts Management, Law and Society<\/i>\u00a0\u201cInstitutionalization in the arts: Lessons from the Twentieth Century\u201d 33(4) Winter 2004, 99 pages.<\/li>\n<li>Guest editorship with co-editor Alain Quemin, thematic issue of\u00a0<i>Sociologie et Soci\u00e9t\u00e9<\/i>\u00a0on \u201cArts, r\u00e9seaux et territoire\u201d. XXXIV(2), automne 2002, 244 pages.<\/li>\n<\/ul>\n<h3>Book Reviews<\/h3>\n<ul>\n<li>Jeffrey C. Alexander, Bernhard Giessen and Jason L. Mast, <i>Social Performance: Symbolic Action, Cultural Pragmatics, and Ritual<\/i>. <i>Canadian Journal of Sociology Online<\/i>, July &#8211; August 2007.<\/li>\n<li>\u00a0\u201cSociologists Examine Art and Media\u201d <i>International Sociological Review of Books<\/i>, 2006, Volume 22(2) pp. 1-11.<\/li>\n<li>Mich\u00e8le Lamont and Laurent Thevenot, eds., <i>Rethinking Comparative Cultural Sociology: Repertoires of Evaluation in France and the United States<\/i>.&#8217; <i>Canadian Journal of Sociology Online<\/i>, July &#8211; August 2001.<\/li>\n<li>Sabine Chalvon-Demersay, (trans. Teresa L. Fagan).\u00a0 <i>A Thousand Screenplays.\u00a0 The French Imagination in a Time of Crisis.<\/i>\u00a0 Chicago: University of Chicago Press, 1999 &#8221; <i>Canadian Journal of Sociology (CJS) Online<\/i> Jan.-Feb., 2000<\/li>\n<\/ul>\n<h3>Technical Monographs and Reports<\/h3>\n<ul>\n<li>\u201cArt-Technical Collaborations in 20th Century Art Worlds: Artists, Artists \u201cColormen: and the Chemical Industry\u201d, Chemical Heritage. Newsletter of the Chemical Heritage Foundation. Summer 2005, Vol. 23, No. 2: 30-31.<\/li>\n<li>\u201cIdeas in Residence: Creative Dislocations. Sense of place and digital connections in the rural landscape\u201d. Final Report on Institutional Grant for Daniel Langlois Foundation for art, technology and science. Author, with Jennifer Bolt (and technical assistance from the Acadia Institute for Teaching Technology). Submitted January 2004. 30 pages of text plus 2 DVDs of 11 videotaped interviews and 1 audio-taped interview, 10 CDs of artworks and websites produced for the project and appendices with publicity and media coverage.<\/li>\n<li>(with Shanthi Johnson). Report on Teaching Innovation and Improvement Activities, \u201cRethinking \u201cResearch Methods for the 21st Century: Using New Technologies for Teaching Applied Research Methodology\u201d in the Arts and Science Faculties. Report for V.P. Academic. Acadia University. 2003.<\/li>\n<li>&#8220;Caract\u00e9ristiques sociales et pratiques culturelles du public montr\u00e9alais des mus\u00e9es&#8221;.\u00a0 (Social Characteristics and Cultural Practices of the Montreal Museum-Going Public), with co-author Marcel Fournier. A monograph commissioned by the Mus\u00e9e de la Civilisation in Quebec City and the Quebec Ministry of Cultural Affairs for publication in the series &#8220;Cahiers du Mus\u00e9e de la civilisation&#8221;. Submitted in April 1992. 117 pp.<\/li>\n<li><i>El\u00e9ments de la Formation au Recensement de la Population.<\/i>\u00a0\u00a0 Monograph on training and techniques for census representatives published\u00a0 by the General Secretariat of the Central African Customs and Economic Union with the collaboration of the Demographic Project of the Regional Technical Office, United Nations Development Programme and the United Nations Office of Technical Cooperation.\u00a0 New York, N.Y. and Bangui, Central African Republic.\u00a0 January, 1976.\u00a0 285 pages.\u00a0 (with co-author, Guido Conings).<\/li>\n<li><i>Vers un nouveau syst\u00e8me d&#8217;Etat Civil :\u00a0 le cas du Cameroun.<\/i>\u00a0 Monograph on methods for vital registration statistics based on incomplete data published in a series of documents by l&#8217;Union Douani\u00e8re et Economique de l&#8217;Afrique Centrale (Bangui) and International Development Research Centre (Ottawa). Yaound\u00e9, Cameroun.\u00a0 November 1974. (with co-author Sylv\u00e8re Looky).<\/li>\n<li><i>Vers un nouveau syst\u00e8me d&#8217;Etat Civil :\u00a0 le cas du Cameroun.<\/i>\u00a0 Monograph on methods for vital registration statistics based on incomplete data published in a series of documents by l&#8217;Union Douani\u00e8re et Economique de l&#8217;Afrique Centrale (Bangui) and International Development Research Centre (Ottawa). Yaound\u00e9, Cameroun.\u00a0 November 1974. (with co-author Sylv\u00e8re Looky).<\/li>\n<\/ul>\n<h3>Unrefereed Journal Articles and Newsletters<\/h3>\n<ul>\n<li>\u201cInternational Perspectives\u201d, in Holt, William G. (editor).\u00a0<i>Sociology of Culture Teaching Guide,<\/i>American Sociological Association 3rd Edition. 2006, pp. 280-285.<\/li>\n<li>Translator of article by Bruno Pequignot. \u201cSociology of Art and Culture in France. An overview of its origins\u201d\u00a0<i>Newsletter of the Sociology of Culture Section of the American Sociological Association.<\/i>\u00a0Volume 20 (1), pp. 1, 5-7 plus Part II in website supplement.<\/li>\n<li>\u201cVirtual Communities\u201d, (English and French versions).\u00a0<i>The Atlantic Cultural Space: New Directions in Heritage and the Arts.<\/i>\u00a0New Brunswick Arts Board, 2005 pp. 31-34.<\/li>\n<li>\u201cIntroduction\u201d with co-author Volker Kirchberg of a special issue on \u2018Institutionalization in the Arts:\u00a0 Lessons from the Twentieth Century\u2019 for the <i>Journal of Arts Management, Law and Society<\/i> published through George Mason University, Winter 2004.\u00a0 33: 4, Winter 2004, pp. 259-263. (50% contribution).<\/li>\n<li>\u201cPr\u00e9sentation\u201d, with co-author Alain Quemin of thematic issue of <i>Sociologie et Soci\u00e9t\u00e9s<\/i>\u00a0 on \u201cLes territories de l\u2019art\u201d. <i>Sociologie et Soci\u00e9t\u00e9s. <\/i>No. 2, Fall 2003, pp.15-41. (70% contribution).<\/li>\n<\/ul>\n<h3>Other Media<\/h3>\n<ul>\n<li>Three-Part Television Mini-Series (INE) Public Outreach Project \u201cSoundStories\u201d in partnership with Johanne Gallant, Mary-Elizabeth Luka (CBC-Artspots) and B. Diamond (MUN).<\/li>\n<li>\u201cJust Friends\u201d video in SoundStories series for broadcasting on CBC Television (ArtSpots) with Johanne Gallant, Mary-Elizabeth Luka (CBC-Artspots) and Bev Diamond (Centre for the Study of Music, Media and Place, Memorial University of Newfoundland. 2007.<\/li>\n<li>\u201cLori Clarke\u201d video in SoundStories series for broadcasting on CBC Television (ArtSpots) with Johanne Gallant, Mary-Elizabeth Luka (CBC-Artspots) and Bev Diamond (Centre for the Study of Music, Media and Place, Memorial University of Newfoundland. 2007.<\/li>\n<li>\u201cLiz Solo\u201d video in SoundStories series for broadcasting on CBC Television (ArtSpots) with Johanne Gallant, Mary-Elizabeth Luka (CBC-Artspots) and Bev Diamond (Centre for the Study of Music, Media and Place, Memorial University of Newfoundland. 2007.<\/li>\n<\/ul>\n<h3>Conference Papers and Invited Lectures<\/h3>\n<ul>\n<li>&#8220;The arts in &#8216;times of trouble'&#8221; and &#8220;The arts as affordances for action, affect and cognition&#8221;, World Congress of the International Sociological Association, Yokohama, Japan, July 2014. (Session organizer and chair)<\/li>\n<li>&#8220;When art worlds look to sociology for inspiration: A case study of contemporary art conservation strategies&#8221;, World Congress of the International Sociological Association, Yokohama, Japan, July 2014.<\/li>\n<li>&#8220;New Media as Cultural Heritage: Contemporary Conservation Strategies for the Visual and Performing Arts&#8221;, 39th annual international conference on Social Theory, Politics and the Arts, Seattle University, Seattle, Washington, October 2013.<\/li>\n<li>&#8220;Analysing Incommensurable Values in Contemporary Art Documentation:\u00a0 Insights from Cultural Sociology&#8221;, meeting organized by the research project\u00a0 Documentation of Contemporary Art and the Network for Conservation of Contemporary Art Research (NeCCAR) on &#8220;Performing Documentation in the Conservation of Contemporary Art&#8221;, Funda\u00e7\u00e3o Calouste Gulbenkian, Lisboa, Portugal, 20-21 June 2013.<\/li>\n<li>&#8220;Strategies for Studying Multiple Meanings in Conservation Research&#8221;, Interim meeting of the International Council of Museums&#8217; Conservation Committee (ICOM-CC) &#8220;Conservation: Cultures and Connections.&#8221; National Museum of Denmark, Copenhagen, 15-17 May 2013.<\/li>\n<li>\u00a0&#8220;What can Popular Music Heritage Preservationists learn from Conservation Strategies for New Media Art?&#8221;, DYI Music Heritage: On and Off Line, Popular Music Heritage, Cultural Memory &amp; Cultural Identity, POPid HERA Project (Humanities in the European Research Area), Erasmus University, Rotterdam, Netherlands. January 2013. (Invited Speaker, Closing Plenary)<\/li>\n<li>&#8220;Strategies for Studying Multiple Meanings in Conservation Research&#8221;, Interim meeting of the International Council of Museums&#8217; Conservation Committee (ICOM-CC) &#8220;Conservation: Cultures and Connections.&#8221;, National Museum of Denmark, Copenhagen, 15-17 May 2013.<\/li>\n<li>&#8220;Archiving and Preserving Popular Music&#8221;, Popular Music Heritage, Cultural Memory &amp; Cultural Identity, POPid HERA Project (Humanities in the European Research Area), Erasmus University, Rotterdam, Netherlands, January 2013. (Chair and discussant)<\/li>\n<li>with co-author Megan Robertson, &#8220;Qualitative Interviews in Soundscape Studies&#8221;, Acoustic Communication and Soundscape Design, Green College, University of British Columbia, September 2012.<\/li>\n<li>with co-authors, D. Murphy, M. Robertson, N. Clarkson, Maggie Chao.\u00a0 Poster: &#8220;Aural Memories: A Case Study of Soundscape Archives&#8221;, UNESCO Memory of the World in the Digital Age Conference, Vancouver, BC, Canada, September 26-28, 2012.<\/li>\n<li>&#8220;Art&#8217;s New Promise: Emancipation, Empowerment, Enlightenment, or is it just Economics?&#8221;, Annual Meeting of the American Sociological Association, &#8220;Real Utopias&#8221;, Denver, Colorado, August 2012. (Invited Panelist)<\/li>\n<li>&#8220;From Noise to Soundscape Composition: Artistic &amp; Social Scientific Dimensions of Acoustic Ecology&#8221;. Session on &#8220;Art as research tool: Visual, sound and sensory methodologies&#8221;, International Sociological Association Second World Forum, Buenos Aires, July 1-4. 2012.<\/li>\n<li>with co-author Megan Robertson. &#8220;Sounding the Archive: Examining the History of the World Soundscape Archive&#8221;, International Conference on the History of Records and Archives (ICHORA 6), University of Texas at Austin, August 2012.<\/li>\n<li>&#8220;Uses and Misuses of the Arts&#8221; and &#8220;Artists in Social Networks&#8221; Sessions, Research Committee 37, International Sociological Association Second World Forum, Buenos Aires, July 1-4. 2012. (Chair)<\/li>\n<li>&#8220;Heritagization II&#8221;, International conference on Cultural Policy Research, Centre for the Study of Culture, Politics and Society (CECUPS), University of Barcelona and International Sociological Association<i>, <\/i>Barcelona,\u00a0 9-12 July 2012. (Chair)<\/li>\n<li>&#8220;War, Transatlantic Politics and the Origins of International Initiatives for the Conservation of Cultural Heritage&#8221;, Cultural Politics and Cultural Policies, VII International conference on Cultural Policy Research, Centre for the Study of Culture, Politics and Society (CECUPS), University of <i>Barcelona and International Sociological Association, <\/i>Barcelona, 9-12 July 2012.<\/li>\n<li>with co-author Dave Murphy, &#8220;Listening and Value Systems: Towards an Axiology of Soundscape Documentation&#8221;Public Ethnography Conference, &#8220;Connecting New Genres, New Media, New Audiences&#8221;, University of Victoria, BC, June, 2012.<\/li>\n<li>&#8220;Carri\u00e8res artistiques II&#8221; Penser l&#8217;incertain, XIXe Congr\u00e8s de l&#8217;Association internationale des sociologues de langue fran\u00e7aise, \u00c9cole Mohammadia d&#8217;ing\u00e9nieurs, Rabat, Morocco, 2-6 July 2012. (Chair and discussant)<\/li>\n<li>&#8220;Entre pluralisme et nouvelles normes: les r\u00e9seaux interdisciplinaires et la transformation des principes de pr\u00e9servation du patrimoine artistique a l&#8217;\u00e9re du num\u00e9rique&#8221;, Colloque 355 sur les &#8220;Transformations des pratiques culturelle a\u00a0 l&#8217;\u00e8re du num\u00e9rique:\u00a0 Nouvelles technologies, nouveaux publics?&#8221;, Congr\u00e8s de l&#8217;Association canadienne pour l&#8217;avancement des sciences, Montr\u00e9al, May 2012.<\/li>\n<li>&#8220;Soundscape Recordings as Memories of the Audible Past?&#8221; &#8220;The Arts of Memory&#8221;, New School for Social Research, New York City, April, 2012.<\/li>\n<li>&#8220;Trading Zones:\u00a0 Strategies for the Study of Artists and their Art-Making Practices, College Art Association Annual Meeting, Los Angeles, February22-25, 2012. (Session organizer and discussant with co-organizer Francesca Bewer)<\/li>\n<li>with co-author Dave Murphy, &#8220;Listening and Value Systems: Towards an Axiology of Soundscape Documentation&#8221;, World Forum for Acoustic Ecology, Ionian University, Corfu, October 2011.<\/li>\n<li>&#8220;Listening with Technology: Soundscape Recording as Affordance and Performance&#8221;. Acoustic Communication and Soundscape Design, Green College, University of British Columbia, September 16, 2011.<\/li>\n<li>&#8220;From Noise to New Music: Soundscapes as Trading Zones&#8221; FCAT Faculty Forum, February 2010.<\/li>\n<li>&#8220;La sociologie par l&#8217;image&#8221;, (Conference on Visual Sociology), GdR Sociologie de l&#8217;art, Association internationale des sociologues de langue fran\u00e7aise and GdR OPuS (Centre national de recherche scientifique, France), Universit\u00e9 Libre de Bruxelles, &#8220;Reflets dans un oeil de sociologue : statut et usages du visuel en sociologie ou la sociologie par l&#8217;image&#8221;, Brussels, October 2010.<\/li>\n<li>&#8220;Public or Private? Sharing audio-visual documentation of the arts-in-action&#8221;. &#8220;Culture and the Making of Worlds&#8221;, European Sociological Association Culture Research Network Interim Meeting, University Bocconi, Milan, Italy, October 2010.<\/li>\n<li>&#8220;Electro-Acoustic Music and Creative Appropriations of Sonic Memories of the World&#8221;. World Congress of the European Sociological Association, Lisbon, September 2009.<\/li>\n<li>Advances in Cultural Theory, Annual Meeting of the American Sociological Association, San Francisco, August 2009. (Chair)<\/li>\n<li>&#8220;From Noise Pollution to Sonic Environments: Changing Attitudes to Sound in Public Places&#8221;, Referred Roundtable on Space and Place, Culture SectionAnnual Meeting of the American Sociological Assocciation, San Francisco, August 2009.<\/li>\n<li>&#8220;Sustainable Creative Work and Community Well-being in Culture-led, Place-based Urban Regeneration Strategies&#8221;, Space and Place roundtable, Section on Sociology of Culture Refereed Roundtable Session, Annual Meeting of the American Sociological Association, Boston, Massachusetts, August 2008.<\/li>\n<li>&#8220;La reconfiguration du lien social dans les mondes de l&#8217;art contemporain : Une \u00e9tude de cas&#8221;, World Congress of the International Association for French-speaking Sociologists (Congr\u00e8s de l&#8217;Association internationale des sociologues de Langue Fran\u00e7aise), Istanbul, 7-11 Juillet 2008.<\/li>\n<li>with co-author Catherine Murray, \u2018Challenges to Neo-liberal Theory:\u00a0 Perspectives from Two Coasts\u2019, Joint session for ACCUTE, CPSA and CCA Neoliberalism and Provincial Cultural Industries Development, Annual Conference of the Humanities and Social Sciences Research Council, Vancouver, June 2008.<\/li>\n<li>\u00a0\u201cSustainable Creative Work and Community Well-being in Culture-led, Place-based Urban Regeneration Strategies\u201d.\u00a0 Culture Section Roundtables.\u00a0 Annual Meeting of the American Sociological Association, Boston, August 2008.<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Dr. Jan Marontate has published extensively in English and French on topics including art&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":[],"_links":{"self":[{"href":"http:\/\/cedhi.sfu.ca\/marontate\/wp-json\/wp\/v2\/pages\/40"}],"collection":[{"href":"http:\/\/cedhi.sfu.ca\/marontate\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/cedhi.sfu.ca\/marontate\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/cedhi.sfu.ca\/marontate\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/cedhi.sfu.ca\/marontate\/wp-json\/wp\/v2\/comments?post=40"}],"version-history":[{"count":4,"href":"http:\/\/cedhi.sfu.ca\/marontate\/wp-json\/wp\/v2\/pages\/40\/revisions"}],"predecessor-version":[{"id":101,"href":"http:\/\/cedhi.sfu.ca\/marontate\/wp-json\/wp\/v2\/pages\/40\/revisions\/101"}],"wp:attachment":[{"href":"http:\/\/cedhi.sfu.ca\/marontate\/wp-json\/wp\/v2\/media?parent=40"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}